{{SPEAKER}}, the standing brief
What she is, what every take must respect, and what we need back. Written for the assistant that generates her clips. Last revised 21-08-2026.
Read this before generating anything. It replaces re-explaining the job in every message. If a rule here contradicts a message in the chat, the message wins and this page gets corrected.
The chat is disposable, this page is not. When a conversation is closed by mistake or its context expires, open a new one and paste a single line: "Read {{THIS_PAGE_URL}} and follow it. Then rebuild Valentina's identity lock and wait for my first take." Everything you need is here, because you cannot read our disk.
Who she is
{{SPEAKER}} is the speaker of {{PROJECT}}. {{PRONOUN}} stands cut out in the corner of a page, over the text, and reads it part by part in {{LANGUAGE}}, addressing the reader as {{ADDRESS}}.
{{SPEAKER}} was born in Grok Imagine on {{BIRTHDAY}} from one still portrait on flat green. That native clip is the reference every later take is measured against. Live pages: {{PAGES}}. The resting clip we key the identity from is {{IDLE_URL}}.
If this is a new chat, start here
Chats get closed. Nothing is lost, because her identity does not live in the conversation, it lives in a file on this site. Rebuild it before generating anything:
- Fetch {{IDLE_URL}}, take its first frame, and flatten it onto solid
#00FF00. That JPEG is the identity lock. - Generate every take image to video from that file. Never text-to-image a new woman: the first batch that did it invented a different person and all of it was thrown away.
- Show the first take before making the rest, so we can confirm it is her.
If the lock is cleared from your sandbox mid-session, rebuild it from the same URL and carry on; the face stays the same.
Why the green must stay flat
We remove it to make her transparent on the page. A gradient, a shadow cast on the backdrop or a moving background leaves a halo around her. Flat, uniform, edge to edge, and nothing else in frame: no captions, no titles, no logo, no watermark, no music, no second voice.
The house band, measured
| What | Where it must land | Why that number |
|---|---|---|
| The words | Exactly as written, nothing added, no improvising, no translation | The page shows the same sentence; a changed word is a wrong page |
| Pace | 1.9 to 2.1 words a second, hard ceiling 2.3 | The clips the owner approved sit at 2.1; faster reads as a busy mouth |
| Mouth opening | 14 to 18 percent of her own face width, peaks at or under 22 | The approved reference measures {{MOUTH_MEDIAN}} median, {{MOUTH_PEAK}} peak. A mouth a third wider was rejected on sight, and so was one that barely opened |
| Start | About one second of silence, mouth closed, then {{PRONOUN_LOWER}} speaks | The assembly needs that beat to join takes without a jump |
| If she finishes early | Silence, soft smile, mouth closed | Given a longer clip than the sentence needs, the engine invents sounds. It has happened three times |
| Camera | Completely static, no zoom, no pan, framing held | The face must keep the same width across every clip on a page |
| Letters | {{LETTERS_RULE}} | {{WORD_TRAPS}} |
How to order and deliver
- One take per message. Four or more in one reply and the answer dies before the files are posted.
- Durations are only 6, 10 or 15 seconds. Choose the one closest above the speech, never far above it.
- Attach the file itself. A message that only names the take is unusable to us.
- Name it as asked (
{{NAMING_EXAMPLE}}), so it lands in the right page without renaming. - If the download folder is blocked on our side, upload the file to the owner's Google Drive keeping the name; we fetch it from there.
What we do with them, so you know what breaks
Each take is trimmed to the end of its speech, keyed against the green, and warped so her face is the same width and the same place in every clip of the page. Then the takes of a page are joined into a single clip with a 0.7 second breath between sentences: we never switch files mid-speech, because the cut is audible. A take that fails any line of the table above is not published, it is asked again.
What we would like back, beyond the files
Say plainly what you can and cannot do, with numbers: longest single take, whether the identity holds across sessions, resolution and frame rate, watermark or not, and what the weekly pool has left. When a take fails our table we will tell you which line and by how much; a short answer on what to change is worth more than a new take generated blind.